Human Rights Syllabi: Institute of International Studies, University of California, Berkeley

Amnesty International USA Resource Notebook: Syllabi for the College Classroom

 

Florida State University

Human Rights and the Body in Law and the Humanities

Fall 2002 - Williams 225 - MWF12:20 - 1:10 PM

Caroline ("Kay") Picart, Ph.D.
Screenings: Wednesdays 6:45 - 9:30 PM, Williams 121-B
Tel.: 850-644-0734
E-mail: kpicart@english.fsu.edu
Instructor Websites: http://english.fsu.edu/picart
Course website: http://english3.fsu.edu/~kpicart/humrights/

Description (Inclusive of Human Rights Content and Methodology)

This course aims to use an interdisciplinary approach, inclusive of law, literature, critical theory and film, in order to examine evolving characterizations of international human rights and of the legal and political instruments designed for their protection, both in official legal and political documents, as well as fictional and documentary interpretations in literature and film. A key theme running through the course is an examination of how the “international human body” is configured in various texts: through United Nations reports on human rights; critical legal analyses; documentary films; fictional novels, and popular films.

After studying the theoretical and philosophical foundations of the idea of human rights in various civilizations and cultures, this course attempts to evaluate the legacy of human rights within both western and non-western traditions, this course also aims critically to examine the meaning and relevance of human rights in dealing with major issues in the contemporary world, such as torture, political repression, war crimes and genocide, refugees, women’s rights, children’s rights, violations of human rights within the U.S., and in a more specific case, the plight of immigrant women and children as described in the 1998 U.S. Violence Against Women Act.

General Course Objectives

  1. to examine what “human rights” are, in terms of its characterizations in law, literature and film;
  2. to examine how the “international human body” is depicted, in terms of nationality, race, ethnicity, gender, class, and age, among other factors, in legal/political documents and in popular culture
  3. to expand upon the theoretical gains of the “law and literature,” “critical legal studies,” “critical race theory” and “feminist legal theory” jurisprudential movements, and situate the meaning of “human rights” within broader interdisciplinary inquiries, inclusive of literature, film, and popular culture
  4. to discuss questions of ethics in relation to depictions of “human rights and the body” in law, literature and film

Required Texts

Tentative: See Timeline Below

Course Format

This course will employ principally a discussion and seminar format, and will integrate the effective use of technology (e.g., Blackboard, powerpoint, videos, when relevant). {For samples of technology enhanced and web courses I have developed and taught, refer to: http://english.fsu.edu/picart --go to the “Teaching” section; a completed virtual course can be found at: http://english3.fsu.edu/~kpicart/humfilm.

Student Profile

What kind of student are you? (.ppt file; 92K)

Grading Criteria

Attendance and Participation

Ultimately, this proposed course is largely discussion-oriented, and students play an active role in ensuring the success of the course. Students are required to come in, having read the assigned texts for the day, in order to present and defend their interpretations of the texts, as well as critique those of others and pose clarificatory questions. In-class oral participation and attendance will also comprise 20% of the total mark. Note that given that we are meeting only for six weeks because it is proposed as an annual summer course, cross-listed between law and humanities, only two excused absences are allowed; having more than two absences is sufficient reason for an “F”.

Blackboard Posts

To take this course, it is imperative that you sign up for a mailer or garnet ACNS account:

http://register.acns.fsu.edu/CARS/studentreg.html

To access Black Board, go to http://campus.fsu.edu (note: a new browser window will open) and log into the course section, using your mailer or garnet accounts and passwords.

Note that skills of reading, listening, and speaking, which all rest upon prior preparation, form an integral component of the course. Extended discussions via Blackboard threaded conversations during the periods in between sessions, will be used to help set up and continue generating class momentum. These threaded e-mail conversations will comprise 10% of the total mark, and will be monitored and evaluated by the professor. The threaded conversation exercise integrates writing with skills of argumentation and discussion. Students are required to log in once a week, anytime between Friday morning and Saturday midnight prior to the next class, to carry on these electronically mediated conversations.

Threaded conversations must have a minimum of 300 words and a maximum of 500 words (double spaced within BB), again seeking to comment substantively on the powerpoint presentations in relation to theoretical and practical issues. There will be no cancellations of missed posts. Posts should be made in the general discussion board, so everyone has access to the material, and may comment on individual posts. Feedback on how you are doing (both in your presentations and BB threaded conversations) will be provided through BB and will be handed back to you in class. THERE IS NO MAKE-UP OR LATE WORK THAT WILL BE ACCEPTED.

Powerpoint Presentations

After several sessions handled principally by the professor, the duty of giving a brief summary and critique of some of the assigned texts for the day, and of generating discussion, will be rotated among the students in pairs or singly, depending on the size of the class. This is designed to enable students to be more actively involved in class discussions. Students giving powerpoint presentations are required to e-mail their presentations to me (kpicart@english.fsu.edu)
24 hours before they are due to report. On the day of the presentations, the presenters are required to come in with a diskette version (just in case something goes wrong with the web) and two hard copies of the powerpoints in “hand-out” format. AGAIN, NO LATE WORK WILL BE ACCEPTED.

The student powerpoints should feature:

1. the aims of the particular class session;
2. key terms/concepts and examples of them, featuring specific clips;
3. an outline of projected activities;
4. an interactive activity, which is usually a student edition powerpoint presentation that may incorporate a game, small group work, acting a skit, etc.
5. guide questions for discussion.

On the day of the presentation itself, the students should come in with two powerpoint handout copies (see below for instructions) to submit to the professor. One will be marked and returned to the students; the other will be kept on file.

The items outlined above comprise the criteria for the evaluation of the students’ work for this component, which comprises 20% of the total mark, with each component above equally weighted. The presentations should be more specifically geared at sharing critical insights rather than general commentaries on the material. Posting these powerpoint presentations is a prerequisite to passing the course; failure to do so will result in failure. 20% of your total grade will come from this presentation. There are NO exceptions to this rule; you may switch teams and dates if you tell me ahead of time, and work out arrangements with each other.

In order to save on ink and paper, you may print out a “handout” version. Instructions for this are listed below. If it is easier for you, just print out an ordinary copy of the powerpoint presentation and photocopy it to save ink.

Powerpoint Printing of Handout Copies of Powerpoint Presentations

  1. From the web (You must have the PowerPoint program installed in your computer to do it this way)
    1. Use Netscape to get to campus.fsu.edu.
    2. After you log in and get to the course webpage, click to External Links.
    3. Click on the PowerPoint presentation you would like to print out.
    4. A window will open to ask if you would like to "save it to disk" or "run from the current location". For convenience's sake, click "run from current location." This will download and transfer the presentation to the PowerPoint program on your computer.
    5. Go to "File" on the menu. Scroll down to "Print".
    6. When the print menu pops up.
      1. You can choose from "slides". This will print each slide on a full page.
      2. To save paper, you can choose to print as "handouts". On a section on the right, you can choose how many slides you would like on each page.
      3. Also, there are checklist options at the bottom, I recommend clicking "pure black and white" for clearer pictures on a black and white printer.
      4. When you are finished, click the "OK" button.
  2. From the PowerPoint Program.
    1. Click on the "my computer" icon.
    2. Click on the icon representing where your file is saved (for example, if the PowerPoint presentation you wish to open is on your disk, click A:)
    3. Click on the file in order to open.
    4. Go to "File" on the menu. Scroll down to "Print".
    5. When the print menu pops up.
      1. You can choose from "slides". This will print each slide on a full page.
      2. To save paper, you can choose to print as "handouts". On a section on the right, you can choose how many slides you would like on each page.
      3. Also, there are checklist options, I recommend clicking "pure black and white" for clearer pictures on a black and white printer.
      4. When you are finished, click the "OK" button.

Proposal, Draft, and Final Paper

The final requirement for the course is a 25-30 page paper, which is to be developed in a stepwise fashion, starting from a 3 page proposal, inclusive of an annotated bibliography and statement of aims, to a 15-20 page draft, and 25-30 page final paper, with a minimum of 20 sources, 10 of which must be new; the other 10 should be taken from source material used in class, and should entail a good blend of books; scholarly, literary and popular texts; Internet sources; and films. Note that you are required, at the least, to focus on one legal text, one novel, and one film. These add up to 50% of the final mark. The breakdown for this component of the grade is: 5% proposal; 20% draft and 25% final paper.

Grading Scale

93-100% A
90-92%   A-
87-89%   B+
83-86%   B
80-82%   B-
79-77%   C+
76-73%   C
70-72%   C-
69-67%   D+
66-63%   D
62-60%   D-
59-0%     F

Academic Honor Code

The Florida State University General Bulletin contains an Honor Code that is repeated verbatim in the Student Handbook. You are responsible for knowing and conforming to it; in addition to the information listed in the Handbook, you are also cautioned that:

  1. If you take material that is not yours, from any source (inclusive of websites), and copy it into anything you submit, you are obligated to provide a footnote, endnote or parenthetical reference and works cited list at the end of the paper.
  2. Material that is lifted verbatim from other texts must be placed in quotation marks or, in the case of anything longer than three sentences, blocked quotes, indicating its source, as in item # 1 above.
  3. Material that is paraphrased must also be documented as in item # 1.
  4. Persons who violate the Honor Code and any of the items above in any requirement, whether minor or major, will receive an “F” for the course.

ADA Statement

Students with documented disabilities needing academic accommodations should, in the first week of class

  1. register with and provide documentation to the Student Disability Resource Center (SDRC) and
  2. bring an authorized letter from SDRC to the professor, indicating the need for academic accommodations, if necessary. This and all other class materials are available in alternative format, upon request. I will do everything I can to ensure fairness to everyone in class

Final Note

By week 2, please hand in the following information on the smallest sized index card with a recent photo of you (photocopy your I.D. cards, if worse comes to worst). For students who have taken courses from me in the past, you may skip the photo, but I will need your latest contact information and your profile below.

Schedule and Class Outline

Part I: Human Rights and the Body in Law and Documentary Film

Week 1: Aug 26-30

Human Rights and the international Body Politic

Guide Questions:

  1. What are the philosophical, political and economic underpinnings of human rights?
  2. How did the current normative framework of international human rights evolve? How was the concept of “human rights” institutionalized in Western political thought?
  3. What is the difference between human rights and civil rights?
  4. What is the implicit depiction of the “human body” in relation to “human rights” in these texts?
  5. How does the image of the individual human body relate to the image of the “body politic” in these texts?

Suggested Texts:

Websites:

Week 2: September 2-6

Comparative Human Rights Systems: Universalist vs. Cultural Relativist Perspectives on Human Rights

Guide Questions:

  1. Are “human rights” purely a western concept, or is it universal?
  2. What is the concept of “human rights” in non-western traditions?
  3. Is the concept of the “human body” the same in relation to these “human rights” in Western and nonwestern contexts?
  4. What is the relationship between domestic constitutional law and international human rights law, and how are “human rights” and the “human body” configured in these?
  5. What mechanisms exist nationally and internationally for enforcing human rights? How effective are they, based on particular test cases, such as the Soering and El Mozote cases?

Suggested Texts:

Documentary Film:

America and the Holocaust: Deceit and Indifference, Martin Ostrow, PBS, 1994. (Strozier Media Center)

Week 3: September 9-13

Challenges to the Protection of International Human Rights

Important class dates, topics, and lecturers:

Sept. 9, 11: Dr. Picart
Sept. 11: Clockwork Orange showing
Sept. 13: Chris Wood on Andreopoulos

Guide Questions:

  1. What are the United Nations standards concerning the internationalization of human rights, and how is the international human body configured in relation to these rights?
  2. What have been some past and contemporary challenges to the promotion and protection of international human rights, and how has the individual body, in relation to the national and international bodies politic, been envisaged in relation to these challenges?
  3. What is the notion of “health” implied in the depictions of human rights and the human body?

Suggested Texts:

Week 4: Sep. 16 - 20

Torture, Extra-Judicial Executions and Political Repression

Important class dates, topics, and lecturers:

Sept. 16: Michael Rodriguez on Gordon & Marton
Sept 18: Dr. Picart
Sept 18: Death and the Maiden showing
Sept. 20: Submit proposals at Williams 405 by 1:10 p.m.

Proposals for Final Papers are Due

Guide Questions:

  1. What is the definition of torture under international law, and what are the implicit depictions of the “healthy”/ “free” human body?
  2. What is the difference between just punishment and cruel, inhuman and degrading treatment or punishment?
  3. What ethical issues arise when physicians, scientists or other medical personnel become involved in torture?
  4. Taking a particular test case, what was the degree of state repression in the Soviet Gulag, based on existing documents? What ethnic and political criteria were involved in repressive measures? How was psychiatric repression configured in relation to bodily torture?

Suggested Texts:

Documentary Film:

Women Under Attack, Rights & Wrongs, Program 3, Eulogio L. Ortiz, Jr., Globalvision and WNET Thirteen, 1993.

Week 5: September 23 - 27

International Crimes and Punishment; Asylum and Persecution

Important class dates, topics, and lecturers:

Sept. 23: Danielle Kotaska on Newman and Weissbrodt, ch. 7
Sept. 25: Danielle Kotaska on Askin
Sept 25: Judgment at Nuremberg showing
Sept 27: Dr. Picart

Guide Questions:

  1. What is the legacy of the trials at Nuremberg?
  2. What are the legal characterizations of war crimes; genocide and crimes against humanity; medical/forensic, legal, psychological and sociological factors? How is the international human body configured in relation to these?
  3. When does rape constitute a war crime? How is the raced, classed and aged female body configured in relation to law?
  4. How do international law and domestic law intersect and diverge, in their treatment of the refugee?
  5. How do domestic violence and female genital mutilation form the basis for political asylum? How is the raced and classed female body depicted in these texts?

Suggested Texts:

Week 6: September 30 - October 4

Women’s and Children’s Rights

Important class dates, topics, and lecturers:

SEP. 30: Michael Rodriguez on Fitzpatrick
OCT. 2: Michael Rodriguez on Meron
OCT. 2: House of Spirits showing
OCT. 4: Fall Break

Guide Questions:

Suggested Readings:

Films:

Week 7: October 7 - 11

Violations of Human Rights in the US

Important class dates, topics, and lecturers:

OCT. 7: Chris Wood on Newman & Weissbrodt, Ch. 13
OCT. 9: Chris Wood on The Many Faces of Domestic Violence (esp. on alien/foreign women)
OCT. 9: Beloved showing
OCT. 11: Dr. Picart

Guide Questions:

  1. Do violations of human rights occur in the imposition of the death penalty?
  2. Do prison conditions violate international standards concerning human rights and the un-tortured human body?
  3. Does the detention of alien minors, including children of asylum seekers, constitute a violation of human rights?
  4. How does the Violence Against Women Act attempt to address the rights of the alien/foreign woman who has been sexually tortured or imprisoned, and those of her children? What is the implicit depiction of the alien female body and those of her children in VAWA?

Suggested Texts:

Websites:


Week 8: October 14 - 18

Ethics, Medical Research and Human Rights

Draft is MOVED BACK!!!!!

Guide Questions:

  1. To what degree should medical experimentation be allowed, without constituting a violation of international human rights?
  2. How is the international human body treated as a subject for medical experimentation?
  3. Do human radiation experiments in the US violate international human rights?
  4. Do HIV trials in other countries constitute a violation of international human rights?

Suggested Readings:

Part II: Human Rights and the Body in the Humanities

Weeks 9, 10 and 11 Guide Questions:

Human Rights and the Body in Literature and Fictional Film

For weeks 9, 10 and 11, the following constitute the general guide questions for novels that are paired with movie correlates for better comparison:

  1. What human rights are highlighted in these novels and films? Are there significant convergences and departures in the depictions of human rights and the body in these novels and films?
  2. What human rights are in conflict in the depictions of these gendered, raced, classed, aged and multi-classified human bodies in these novels and films?
  3. Who act to defend and/or deny human rights in these novels and films, in keeping with the Universal Declaration of Human Rights? How are these champions or oppressors raced, classed, gendered, aged and otherwise categorized?
  4. Is the action to defend human rights effective or successful in the novels and films? Justify your answers carefully.
  5. Is the action to defend human rights in the novels or films violent or nonviolent? Did it bring long range effects for the better or not?
  6. How are rights and responsibilities implicitly related in the depictions of raced, gendered, classed, aged bodies in these novels and films?
  7. How are individual human bodies and rights configured in relation to those of the body politic in these novels and films?
  8. Do any of these situations still have contemporary pertinence?
  9. What literary and cinematic devices are used in order to create a bodily rhetoric of human rights?

Week 9: October 21 - 25

Race, Gender and Class

Important Class Information:

Dr. Picart will be away on a conference, and the lectures are on video.
WORK ON YOUR PAPERS. Two movies will be shown: Animal Farm (during regular class time) and Grapes of Wrath (Oct. 23, Wednesday).

Suggested Readings and Their Corresponding Films:

Week 10: October 28 - November 1

Class and Dystopias

Important class dates, topics, and lecturers:

DRAFT IS DUE ON OCTOBER 28

OCT. 28, 30: Danielle Kotaska on House of Spirits & HandmaidÅfs Tale (novels and movies)
NOV. 1: Dr. Picart

Suggested Readings and their corresponding films:

Week 11: November 4 - 8

The Law and Human Rights

Important class dates, topics, and lecturers:

NOV. 4: Michael Rodriguez on Animal Farm (novel & film)
NOV. 6: Chris Wood on Grapes of Wrath (novel & film)
NOV. 6: 1984 showing
NOV. 8: Dr. Picart

Suggested Readings and their corresponding films:

Week 12: November 11-15

Concluding Remarks-Postmodern Jurisprudences and Human Rights & the Body

Important class dates, topics, and lecturers:

NOV. 11: Veteran's Day - no classes
NOV. 13: Michael Rodriguez on A Clockwork Orange (novel & film)
NOV. 13: Gandhi showing
NOV. 15: Chris Wood on 1984 (novel & film)

Guide Question:

Do interdisciplinary pursuits in the exploration of human rights and the body have anything to contribute to contemporary jurisprudence?

Suggested Texts (excerpts from):

Film:

Gandhi, Richard Attenborough, dir., 1982. (Strozier Media Center)

Week 13 - 15: November 18 - December 6

Important class dates, topics, and lecturers:

NOV. 18: Dr. Picart: summary remarks
NOV. 20-24: Dr. Picart will be away on a conference, 11/20 - 24. Marathon Man showing will start in the morning of NOV. 20 and end during the evening showing.
NOV. 25, 27: Dr. Houck (guest lecturer on Foucault)
NOV. 28, 29: Thanksgiving Break - no classes
DEC. 2: Dr. Picart on Minda
DEC. 4, 6: Final Reports (25 minutes eachÅ\10 mins. Presentation; 15 mins. Q & A)
DEC. 6: SIR/SUSSAI Evaluations and Self-Evaluations; "Party"


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